There's one important category missing from all the film awards ceremonies this month: The Most Libertarian Film of the Year. And the winner this year is without a shadow of a doubt The Lego Movie. Setting hilarity and great animation aside (and it has boxes of those), The Lego Movie shows us a compelling dystopian world of conformity, regulation and authority where everyone "must follow the instructions" or be "put to sleep". It is a tale of the battle between the chaotic, creative destruction of freedom, and the rigid, forceful regulation of bureaucracy.
The run-of-the-mill protagonist Emmet is blatantly shown to be brainwashed by repetitive and generic tv shows, corporatist celebration days like Taco Tuesdays, and a perpetually playing propaganda anthem called "Everything is Awesome" with clearly collectivist undertones: "everything is cool when you're part of a team". He works with other construction workers to tear down the "weird" and diverse buildings and replace them with generic ones.
But it gets so much better. The dystopian dictator's position as both the CEO of the Octan Corporation and President of the World perfectly encapsulates the problems with corporatism and monopolies on force. Indeed, his evil plan is stultifying regulation taken to the extreme: he wants to use superglue to literally stick everything permanently into the "perfect" position, relying on a robotic army of "micro-managers" to make sure that everything is exactly how he wants it to be before being stuck into place. There could be no clearer metaphor for the perils of intruding technocrats.
The evil Lord President Business wishes to destroy the chaos of innovation, hunting down and killing or imprisoning all the talented and resourceful master builders, and even erecting closely guarded borders between the different worlds in order to prevent the free movement of minifigures and their mixing of cultures into more interesting and diverse configurations.
At the same time, the resistance's enclave, Cloud Cuckoo Land is an anarchist utopia. As the UniKitty tells the heroes, "There is no government, no bedtime, no baby-sitters", though others have suggested this is also a subtle critique of the slightly creepy anti-freedom parts of modern tolerance culture: "Any idea is a good idea …Except the not-happy ones." The dichotomy is later qualified when it turns out that creativity can work better when constrained within some rules that don't try to curtail it completely. You'd be challenged to find a simpler, more personal and appealing defence of the rule of law as conducive to freedom and human flourishing.
Above all, however, The Lego Movie is a story about the beauty of creative destruction, and how the battle between our fearful controlling impulses and our acceptance of the uncertainty of freedom is a profoundly personal one. It is an enjoyable must-watch for fans of free markets.